Showing posts with label fear. Show all posts
Showing posts with label fear. Show all posts

Wednesday, April 17

What? you might think. How could fear be a friend?

As part of Jennifer R. Hubbard's guest series on facing fear, I suggest a whole new paradigm for how writers might approach and think about fear. Stop on by to learn more at my guest post "Writing through Fear."

You might be surprised to learn that it's through writing poetry that I learned this lesson. Poetry often has the reputation of being trite, dainty contemplations of flower petals and sunsets; the best poems are so much more.

How has writing shifted your perspectives?


Wednesday, April 17, 2013 Laurel Garver
What? you might think. How could fear be a friend?

As part of Jennifer R. Hubbard's guest series on facing fear, I suggest a whole new paradigm for how writers might approach and think about fear. Stop on by to learn more at my guest post "Writing through Fear."

You might be surprised to learn that it's through writing poetry that I learned this lesson. Poetry often has the reputation of being trite, dainty contemplations of flower petals and sunsets; the best poems are so much more.

How has writing shifted your perspectives?


Wednesday, September 26

Once I made the decision to self-publish Never Gone, a funny thing happened. I became completely paralyzed by the sheer volume of what I needed to do.

When I think back to my life in high school, I can't believe how I juggled band, choir, art club, school newspaper, honors classes, a part-time job, and scribbling stories every spare moment. College wasn't much different, though theater, music ministry, and literary magazine were my passions of choice. I never pulled an all-nighter in college and still graduated magna cum laude. After college, I worked full time, went to grad school, did freelance graphic design projects, and served as editor and publisher of an international literary magazine, About Such Things.

I used to be a high energy person, so why the paralysis at this phase of life?

I'd become irrationally afraid. About setting up my business wrong. About getting bad feedback that makes the story wrong. About my title choice and cover design ideas. About failing in a huge, public way.

A funny thing about listening to fear--it takes away your power to contradict it.

Getting into better headspace about the project came when I let voices other than the voice of fear really sink in. I went back and reread notes from the three groups of people who'd critiqued over the years. Sure they pointed out weaknesses, but they also had a lot of immensely encouraging things to say--that it's an important story, that it's moving, that it kept them up late reading. Friends and family alike kept asking how the book project was coming along, wanting to know when they could get their hands on it. Even my daughter was itching for this book to come to fruition.

When you're in the presence of other writers, it can be easy to forget what an extreme act of bravery it is to create worlds, characters, stories and put them out for public consumption. Non-writers are always amazed by it. I think in our circles we're only beginning to talk about the reality of fear when we create. Alex's Insecure Writers Support Group is one such place, and I'm always encouraged by folks' posts.

See, bravery isn't a lack of fear, it's a willingness to move forward in hope despite the fear. There are still moments when the voice of fear picks up on my doubts and shouts them at me. But I turn away and listen to the voices of hope instead.

Because hope energizes. Hope keeps on trying. Hope is patient. Hope believes.

= = =

Blog Ramble News

See my interview with Anglea Felsted at My Poetry and Prose Place, discussing how my life experiences do and don't show up in my novel Never Gone.

= = =

Have you wrestled with fear? How do you tune into the voice of hope instead?
Wednesday, September 26, 2012 Laurel Garver
Once I made the decision to self-publish Never Gone, a funny thing happened. I became completely paralyzed by the sheer volume of what I needed to do.

When I think back to my life in high school, I can't believe how I juggled band, choir, art club, school newspaper, honors classes, a part-time job, and scribbling stories every spare moment. College wasn't much different, though theater, music ministry, and literary magazine were my passions of choice. I never pulled an all-nighter in college and still graduated magna cum laude. After college, I worked full time, went to grad school, did freelance graphic design projects, and served as editor and publisher of an international literary magazine, About Such Things.

I used to be a high energy person, so why the paralysis at this phase of life?

I'd become irrationally afraid. About setting up my business wrong. About getting bad feedback that makes the story wrong. About my title choice and cover design ideas. About failing in a huge, public way.

A funny thing about listening to fear--it takes away your power to contradict it.

Getting into better headspace about the project came when I let voices other than the voice of fear really sink in. I went back and reread notes from the three groups of people who'd critiqued over the years. Sure they pointed out weaknesses, but they also had a lot of immensely encouraging things to say--that it's an important story, that it's moving, that it kept them up late reading. Friends and family alike kept asking how the book project was coming along, wanting to know when they could get their hands on it. Even my daughter was itching for this book to come to fruition.

When you're in the presence of other writers, it can be easy to forget what an extreme act of bravery it is to create worlds, characters, stories and put them out for public consumption. Non-writers are always amazed by it. I think in our circles we're only beginning to talk about the reality of fear when we create. Alex's Insecure Writers Support Group is one such place, and I'm always encouraged by folks' posts.

See, bravery isn't a lack of fear, it's a willingness to move forward in hope despite the fear. There are still moments when the voice of fear picks up on my doubts and shouts them at me. But I turn away and listen to the voices of hope instead.

Because hope energizes. Hope keeps on trying. Hope is patient. Hope believes.

= = =

Blog Ramble News

See my interview with Anglea Felsted at My Poetry and Prose Place, discussing how my life experiences do and don't show up in my novel Never Gone.

= = =

Have you wrestled with fear? How do you tune into the voice of hope instead?

Thursday, October 20

Busy day today, folks, so this is going to be a quickie.

In The War of Art, Steven Pressfield says:
"The more scared we are of a work or a calling, the more sure we can be that we have to do it.... the more fear we feel about a specific enterprise, the more certain we can be that that enterprise is important to us and the growth of our soul."

What do you think? Discuss.
Thursday, October 20, 2011 Laurel Garver
Busy day today, folks, so this is going to be a quickie.

In The War of Art, Steven Pressfield says:
"The more scared we are of a work or a calling, the more sure we can be that we have to do it.... the more fear we feel about a specific enterprise, the more certain we can be that that enterprise is important to us and the growth of our soul."

What do you think? Discuss.

Tuesday, July 12

As I look back over the Harry Potter series as a whole, I see some interesting patterns. Today I'd like to consider Rowling's villains and what seems to make them tick.



The Dursleys

The Dursleys' bullying and abuse of Harry seem over the top to the point of parody in the vein of Roald Dahl. But unlike Dahl's villains, their primary motivation isn't selfishness. It's fear. They fear being judged by neighbors so much that they'll ruthlessly cover up and squelch anything that might mark them as "not normal" in the community. Once Harry's magical nature is revealed, they're far less concerned about his ability to hex them. No, they continue to tremble at the thought the neighbors might find out one of their blood kin is "a freak."

Ironically, we never, ever see the Dursleys enjoying the fruits of their supposed good reputation. They aren't having backyard barbecues with the neighbors, nor do they seem to entertain much. Their fear blocks them from having genuine friendships.


The Malfoys

The Malfoy family seems to have everything going for them--they're rich, well bred and attractive. They seem to genuinely love one another as well, which isn't something you can say for most of Lord Voldemort's lackeys.

So why are they attracted to the dark side? Fear. Unlike Voldemort, who comes from nothing and scrambles for power and privilege, they come from privilege and fear losing it. They have a lot to lose, and want to stay on the winning team.

But there are limits to the Malfoys' willingness to risk, partly because of the strength of their love for one another. In moments when this primary love is tested, it always trumps whatever harm Voldemort threatens--they go along only to keep one another safe. Even in this haughty family, Rowling shows the biblical idea that "perfect love casts out fear."

Next in the series, I'll talk about Rowling's other villains: Umbridge and Voldemort, as well as the antihero, Snape.

What do you think about villainy motivated by fear? Do you see other parallels between the Dursleys and the Malfoys?
Tuesday, July 12, 2011 Laurel Garver
As I look back over the Harry Potter series as a whole, I see some interesting patterns. Today I'd like to consider Rowling's villains and what seems to make them tick.



The Dursleys

The Dursleys' bullying and abuse of Harry seem over the top to the point of parody in the vein of Roald Dahl. But unlike Dahl's villains, their primary motivation isn't selfishness. It's fear. They fear being judged by neighbors so much that they'll ruthlessly cover up and squelch anything that might mark them as "not normal" in the community. Once Harry's magical nature is revealed, they're far less concerned about his ability to hex them. No, they continue to tremble at the thought the neighbors might find out one of their blood kin is "a freak."

Ironically, we never, ever see the Dursleys enjoying the fruits of their supposed good reputation. They aren't having backyard barbecues with the neighbors, nor do they seem to entertain much. Their fear blocks them from having genuine friendships.


The Malfoys

The Malfoy family seems to have everything going for them--they're rich, well bred and attractive. They seem to genuinely love one another as well, which isn't something you can say for most of Lord Voldemort's lackeys.

So why are they attracted to the dark side? Fear. Unlike Voldemort, who comes from nothing and scrambles for power and privilege, they come from privilege and fear losing it. They have a lot to lose, and want to stay on the winning team.

But there are limits to the Malfoys' willingness to risk, partly because of the strength of their love for one another. In moments when this primary love is tested, it always trumps whatever harm Voldemort threatens--they go along only to keep one another safe. Even in this haughty family, Rowling shows the biblical idea that "perfect love casts out fear."

Next in the series, I'll talk about Rowling's other villains: Umbridge and Voldemort, as well as the antihero, Snape.

What do you think about villainy motivated by fear? Do you see other parallels between the Dursleys and the Malfoys?