Showing posts with label reader expectation. Show all posts
Showing posts with label reader expectation. Show all posts

Thursday, June 1

True confession. I feel like I ought to like reading romances. I generally prefer a happy ending to a sad one. But each time I've tried one--especially the Kindle First offerings to Prime members--I've been disappointed.

The romance plot model has become so entrenched, it no longer allows room for any genuine surprises. I know there will be some dumb thing that separates heroine and hero at roughly the midpoint and that dumb thing will clear up in a matter of chapters. I know the heroine will be beautiful, as will the hero, though one or both will be clueless about this or insecure in some way. If one of them has a deep, dark secret, the counterpart will have a corresponding one. Even in the hands of a great wordsmith, the formula clunks along as usual, boring me to tears.

I'd love to know if there are established writers out there who have earned a free pass to write plots that don't follow the predictable formula of boy-meets-girl, boy-loses-girl, boy-wins-girl-back-again. I'd like to see some heroines who aren't the usual healthy, educated, white, and beautiful. How about a blind protagonist, or one with a learning disability, or someone biracial or average looking but brainy, or even disfigured (say an amputee veteran)? You find characters like this in literary fiction, women's fiction, romantic comedy, YA and MG. It would be great to see their love stories, and have a departure from the same-old, same-old.


Is there a genre you've tried but just can't connect to? Why do you think that is? 

Is there a romance author doing something unique I might actually enjoy? Do tell. 


Thursday, June 01, 2017 Laurel Garver
True confession. I feel like I ought to like reading romances. I generally prefer a happy ending to a sad one. But each time I've tried one--especially the Kindle First offerings to Prime members--I've been disappointed.

The romance plot model has become so entrenched, it no longer allows room for any genuine surprises. I know there will be some dumb thing that separates heroine and hero at roughly the midpoint and that dumb thing will clear up in a matter of chapters. I know the heroine will be beautiful, as will the hero, though one or both will be clueless about this or insecure in some way. If one of them has a deep, dark secret, the counterpart will have a corresponding one. Even in the hands of a great wordsmith, the formula clunks along as usual, boring me to tears.

I'd love to know if there are established writers out there who have earned a free pass to write plots that don't follow the predictable formula of boy-meets-girl, boy-loses-girl, boy-wins-girl-back-again. I'd like to see some heroines who aren't the usual healthy, educated, white, and beautiful. How about a blind protagonist, or one with a learning disability, or someone biracial or average looking but brainy, or even disfigured (say an amputee veteran)? You find characters like this in literary fiction, women's fiction, romantic comedy, YA and MG. It would be great to see their love stories, and have a departure from the same-old, same-old.


Is there a genre you've tried but just can't connect to? Why do you think that is? 

Is there a romance author doing something unique I might actually enjoy? Do tell. 


Wednesday, October 21

Photo credit: JulesInKY from morguefile.com
I have a somewhat embarrassing habit when it comes to using Goodreads. I really love to read negative reviews of books that are extremely popular. At first I focused on classics, because their haters are quite hilarious. Then I began branching out to books others raved about that just didn't do it for me. It was gratifying to hear others describe problem after problem.

It's also a bit small minded to be wasting time hunting for another dose of schadenfreude. So I've been looking for ways to reform this vice into something more constructive.

One thing that's pretty clear--you can learn quite a lot about what story elements drive readers batty by listening to their harsher critiques. Some comments will, of course, tell you a lot more about an individual reviewer's biases and hobby horses than about general reader expectations, but others can be quite educational. If you write genre fiction, it can be especially helpful to know what elements readers are sick to death of, or feel cheated if they aren't there.

Here are some writing tips I've gleaned from insightful "mean" readers of popular young adult books:

Characterization no-nos

Protagonist who is


  • Whiny 
  • Self-serving
  • Mean-spirited
  • Indecisive and dithering
  • Thoughtless
  • Foolhardy
  • Bland
  • Flawless
  • Skilled only at being attractive
  • Instantly in love after one smoldering glance
  • Unchanged by the story events

Sidekick who is


  • Only comic relief
  • Hateful
  • Jealous
  • Clone of protagonist
  • An ethnic or racial "type"
  • Deeply stupid
  • Foolhardy
  • Disloyal

Love interest who is


  • Instantly in love after one smoldering glance
  • Narcissistic
  • Abusive
  • Stalker-ish
  • Controlling
  • Prone to jealous rages
  • Boring
  • Too dependent
  • Lacking personal goals
  • Lacking outside interests
  • Flawless
  • Constantly pursued by rivals

Other hated character tropes


  • Cheerleader mean girls
  • Athlete bullies
  • Self-absorbed, uninvolved or dead parents
  • Love triangles with bland, flat love interests
  • Romance based only on physical attraction


Plot no-nos


  • Pacing that drags
  • Pacing that races
  • Abruptly dropped subplots
  • Actions aren't motivated
  • Actions aren't realistic
  • Episodic plots
  • Repetitious actions
  • Melodramatic responses


World building no-nos


  • Bland small towns with no character
  • Cookie-cutter suburban settings with no diversity
  • Unrealistic, movie-set settings
  • No clear origins for a society
  • No sense of how society is organized
  • Unclear social strata 
  • Unclear economic system
  • Unclear food sources
  • No one seems to do essential jobs
  • Unexplained divisions among groups
  • Lack of age diversity

Look at another genre, you'd likely gather a different list. But there's no doubt that you can learn a lot about reader expectation by taking a gander at some less than glowing reviews. Just resist the urge to gloat. Instead, use the information to grow.

 What writerly foibles drive you batty? Have you even gleaned writing lessons from online reviews?
Wednesday, October 21, 2015 Laurel Garver
Photo credit: JulesInKY from morguefile.com
I have a somewhat embarrassing habit when it comes to using Goodreads. I really love to read negative reviews of books that are extremely popular. At first I focused on classics, because their haters are quite hilarious. Then I began branching out to books others raved about that just didn't do it for me. It was gratifying to hear others describe problem after problem.

It's also a bit small minded to be wasting time hunting for another dose of schadenfreude. So I've been looking for ways to reform this vice into something more constructive.

One thing that's pretty clear--you can learn quite a lot about what story elements drive readers batty by listening to their harsher critiques. Some comments will, of course, tell you a lot more about an individual reviewer's biases and hobby horses than about general reader expectations, but others can be quite educational. If you write genre fiction, it can be especially helpful to know what elements readers are sick to death of, or feel cheated if they aren't there.

Here are some writing tips I've gleaned from insightful "mean" readers of popular young adult books:

Characterization no-nos

Protagonist who is


  • Whiny 
  • Self-serving
  • Mean-spirited
  • Indecisive and dithering
  • Thoughtless
  • Foolhardy
  • Bland
  • Flawless
  • Skilled only at being attractive
  • Instantly in love after one smoldering glance
  • Unchanged by the story events

Sidekick who is


  • Only comic relief
  • Hateful
  • Jealous
  • Clone of protagonist
  • An ethnic or racial "type"
  • Deeply stupid
  • Foolhardy
  • Disloyal

Love interest who is


  • Instantly in love after one smoldering glance
  • Narcissistic
  • Abusive
  • Stalker-ish
  • Controlling
  • Prone to jealous rages
  • Boring
  • Too dependent
  • Lacking personal goals
  • Lacking outside interests
  • Flawless
  • Constantly pursued by rivals

Other hated character tropes


  • Cheerleader mean girls
  • Athlete bullies
  • Self-absorbed, uninvolved or dead parents
  • Love triangles with bland, flat love interests
  • Romance based only on physical attraction


Plot no-nos


  • Pacing that drags
  • Pacing that races
  • Abruptly dropped subplots
  • Actions aren't motivated
  • Actions aren't realistic
  • Episodic plots
  • Repetitious actions
  • Melodramatic responses


World building no-nos


  • Bland small towns with no character
  • Cookie-cutter suburban settings with no diversity
  • Unrealistic, movie-set settings
  • No clear origins for a society
  • No sense of how society is organized
  • Unclear social strata 
  • Unclear economic system
  • Unclear food sources
  • No one seems to do essential jobs
  • Unexplained divisions among groups
  • Lack of age diversity

Look at another genre, you'd likely gather a different list. But there's no doubt that you can learn a lot about reader expectation by taking a gander at some less than glowing reviews. Just resist the urge to gloat. Instead, use the information to grow.

 What writerly foibles drive you batty? Have you even gleaned writing lessons from online reviews?