Showing posts with label perseverance. Show all posts
Showing posts with label perseverance. Show all posts

Tuesday, January 28

While doing a filing cabinet purge, I came across a year-in-review letter from one of the most difficult years of my adult life, 1993. I was a young, post-college girl in my first job as a reporter and editor on a trade publication for the natural gas industry. Go ahead. Laugh. The third grader inside is surely thinking about beans and bodily processes, not drilling, pipelines and seasonal fuel price spikes.

This particular year, I experienced in a somewhat literal way the effects of being "refined by fire." The now cliche phrase comes from goldsmiths who purify gold by burning away the impurities.

= = =

The Monday following the worst blizzard of winter, I was scheduled to fly to Houston to attend a trade show, The Houston Gas Fair. With every major road closed and the airport congested with three days' worth of stranded travelers, I was still able to make the flight within five minutes of takeoff [this was long before 9/11 and any airport security]. Not bad considering I had to dig my car out of 18 inches of snow, drive an icy circuitous route, pick up my boyfriend who could drive the car home, and dash like O.J. Simpson through the terminal with a suitcase, briefcase, and 2 huge displays.

Once I arrived and set up the booth, it was great fun to meet in person all the industry people I'd regularly interviewed over the phone. But as they spread the story of how I miraculously escaped the snowed-in East coast, my booth had a steady stream of new visitors wanting to hear my story. Apparently almost no one else coming from Philly, D.C., Baltimore, New York, Boston, or any other points northeast had made it to the trade show. I was feeling like the miracle girl. It wasn't until I returned to Philadelphia that I learned just how much.

The day after I returned from Texas, a high school friend called to ask how my parents were doing. I was a bit taken off guard. Was something wrong?

Yes, she informed me. Didn't I know about the two-alarm house fire?

WHAT?????

Photo credit: taliesin from morguefile.com 
It took about twenty four hours to locate my parents, in part because their home phone wasn't working and I had to rely on my high school friend to help me get phone numbers for the neighbors and my parents' pastor. [How we suffered before cell phones and the Internet!] The next-door neighbors had taken my parents in, and eventually I got to hear details.

My mother had been out of town on business and my retired father was home alone working on a project in the basement when the fire broke out. He heard a loud noise, went upstairs to investigate and immediately saw the smoke. Had it not been for that noise, he might not have escaped the fire alive.

Dad ran to neighbors' house and called the fire department. Two squads came out to put out the blaze. In the fire marshal's subsequent investigation, he concluded that arcing at an electrical outlet (when something is only partially plugged in) was crossed by a long curtain and it caught on fire. The blaze spread from there. The heat was so intense that the porcelain of the master bath toilet exploded, shoes in the closet melted, many of the windows burst.

I drove back to my hometown and spent a week helping my folks assess the damage and getting them back on their feet again. About a third of the structure sustained heavy damage and more than half of the contents were destroyed. During my time home, we dug through the sooty rubble in 30-degree temperatures and inventoried as much as we could of the destroyed contents. We also found a rental house for my parents and hired a contractor to repair the house.

The response from the neighbors and my parent's church was overwhelming. Food, clothing, household items and cash poured in. New church attendees my parents had never met appeared with casseroles and yet more clothing. Countless people pitched in with salvage, cleaning, and laundering.

Sometimes it takes a disaster to show you just how much your community loves you. That alone is priceless.

Being well insured was another gift in this particular experience. I hadn't taken all my belongings to Philadelphia with me. I lost thousands of dollars worth of books, clothes, and personal effects. The insurance payout for it became my sustenance later in the year when I got laid off from the natural gas publication and spent two months on unemployment.

Because of the fire money, I was able to move from the suburbs into the the city. I landed a far better job with excellent benefits, including tuition reimbursement. [Hello, free master's degree.]

Looking back on all this twenty-one years later, I come to a question. When things happen in your life, how do you decide whether they are good or bad?

I didn't mention that the fire, yes the fire, led my boyfriend to break it off with me because I wasn't giving him enough attention. It seemed like adding insult to injury at the time. But in hindsight, I'm glad to have gotten free of a guy who was clearly not for me in any sense.

I can see now that the persistence I learned trying to get on that plane to Houston served me well when helping my mom wade through the waist-deep charred remains of their coat closet, seeking a few less-burned fibers to identify each lost coat.

This experience helped me learn to accept the help and embrace of others. Letting others be strong for you is a gift to them. Generosity has a funny way of expanding everyone's hearts, both the receiver and the giver.

But most of all, I don't look at my circumstances now and assume they're the last word. The good times are a gift, but so are the hardships. Hardships are where real growth happens.

How have hard moments in your past shaped you?
Tuesday, January 28, 2014 Laurel Garver
While doing a filing cabinet purge, I came across a year-in-review letter from one of the most difficult years of my adult life, 1993. I was a young, post-college girl in my first job as a reporter and editor on a trade publication for the natural gas industry. Go ahead. Laugh. The third grader inside is surely thinking about beans and bodily processes, not drilling, pipelines and seasonal fuel price spikes.

This particular year, I experienced in a somewhat literal way the effects of being "refined by fire." The now cliche phrase comes from goldsmiths who purify gold by burning away the impurities.

= = =

The Monday following the worst blizzard of winter, I was scheduled to fly to Houston to attend a trade show, The Houston Gas Fair. With every major road closed and the airport congested with three days' worth of stranded travelers, I was still able to make the flight within five minutes of takeoff [this was long before 9/11 and any airport security]. Not bad considering I had to dig my car out of 18 inches of snow, drive an icy circuitous route, pick up my boyfriend who could drive the car home, and dash like O.J. Simpson through the terminal with a suitcase, briefcase, and 2 huge displays.

Once I arrived and set up the booth, it was great fun to meet in person all the industry people I'd regularly interviewed over the phone. But as they spread the story of how I miraculously escaped the snowed-in East coast, my booth had a steady stream of new visitors wanting to hear my story. Apparently almost no one else coming from Philly, D.C., Baltimore, New York, Boston, or any other points northeast had made it to the trade show. I was feeling like the miracle girl. It wasn't until I returned to Philadelphia that I learned just how much.

The day after I returned from Texas, a high school friend called to ask how my parents were doing. I was a bit taken off guard. Was something wrong?

Yes, she informed me. Didn't I know about the two-alarm house fire?

WHAT?????

Photo credit: taliesin from morguefile.com 
It took about twenty four hours to locate my parents, in part because their home phone wasn't working and I had to rely on my high school friend to help me get phone numbers for the neighbors and my parents' pastor. [How we suffered before cell phones and the Internet!] The next-door neighbors had taken my parents in, and eventually I got to hear details.

My mother had been out of town on business and my retired father was home alone working on a project in the basement when the fire broke out. He heard a loud noise, went upstairs to investigate and immediately saw the smoke. Had it not been for that noise, he might not have escaped the fire alive.

Dad ran to neighbors' house and called the fire department. Two squads came out to put out the blaze. In the fire marshal's subsequent investigation, he concluded that arcing at an electrical outlet (when something is only partially plugged in) was crossed by a long curtain and it caught on fire. The blaze spread from there. The heat was so intense that the porcelain of the master bath toilet exploded, shoes in the closet melted, many of the windows burst.

I drove back to my hometown and spent a week helping my folks assess the damage and getting them back on their feet again. About a third of the structure sustained heavy damage and more than half of the contents were destroyed. During my time home, we dug through the sooty rubble in 30-degree temperatures and inventoried as much as we could of the destroyed contents. We also found a rental house for my parents and hired a contractor to repair the house.

The response from the neighbors and my parent's church was overwhelming. Food, clothing, household items and cash poured in. New church attendees my parents had never met appeared with casseroles and yet more clothing. Countless people pitched in with salvage, cleaning, and laundering.

Sometimes it takes a disaster to show you just how much your community loves you. That alone is priceless.

Being well insured was another gift in this particular experience. I hadn't taken all my belongings to Philadelphia with me. I lost thousands of dollars worth of books, clothes, and personal effects. The insurance payout for it became my sustenance later in the year when I got laid off from the natural gas publication and spent two months on unemployment.

Because of the fire money, I was able to move from the suburbs into the the city. I landed a far better job with excellent benefits, including tuition reimbursement. [Hello, free master's degree.]

Looking back on all this twenty-one years later, I come to a question. When things happen in your life, how do you decide whether they are good or bad?

I didn't mention that the fire, yes the fire, led my boyfriend to break it off with me because I wasn't giving him enough attention. It seemed like adding insult to injury at the time. But in hindsight, I'm glad to have gotten free of a guy who was clearly not for me in any sense.

I can see now that the persistence I learned trying to get on that plane to Houston served me well when helping my mom wade through the waist-deep charred remains of their coat closet, seeking a few less-burned fibers to identify each lost coat.

This experience helped me learn to accept the help and embrace of others. Letting others be strong for you is a gift to them. Generosity has a funny way of expanding everyone's hearts, both the receiver and the giver.

But most of all, I don't look at my circumstances now and assume they're the last word. The good times are a gift, but so are the hardships. Hardships are where real growth happens.

How have hard moments in your past shaped you?

Wednesday, July 18

Stubbornness might look like persistence, but sometimes it's really a hindrance to truly progressing as a writer. Yes, I'm talking about when to trunk a project.

I've been wrestling with a manuscript on and off for several years. Frankly, more off than on. I've written and rewritten the 85 pages or so of it more times than I care to count. Each iteration, I try new plot developments, adding and subtracting characters, revamping motivations. I make a little forward progress then realize it still doesn't work, and here's why: Everyone in the story has a character arc except my protagonist. 

The main dilemma is between two other characters, and my protagonist is actually peripheral. The outcome of their conflict has fairly high stakes for her life, yet she's more reactive than proactive.

It's the wrong person in the wrong story.

No amount of outlining can fix a foundational issue like this. Nor can "writing through the block." It's not a matter of being more disciplined, but of coming to terms with the fact that not every scenario can turn into a decent novel, especially if it hamstrings your POV character.

You can only write the right character in the right story.

That's very liberating, isn't it? I've had two other ideas percolating during these years, and kept putting them off because I "had to" be disciplined and finish a draft of my problem manuscript.

I had dinner with one of my CPs last night and talked through all these things, including idea #3, which she's seen as a flash fiction piece I wrote last year. As we discussed how to expand that story, a whole world unfurled in my head. I woke with character names on my lips.

If you've been fighting too long with a story that perpetually stalls, it's not weakness to trunk it. It's wisdom.

Do you quickly abandon manuscripts at the first sign of trouble, or do you persist longer than you should? What kinds of core problems make you trunk projects?


image credit: morguefile.com
Wednesday, July 18, 2012 Laurel Garver
Stubbornness might look like persistence, but sometimes it's really a hindrance to truly progressing as a writer. Yes, I'm talking about when to trunk a project.

I've been wrestling with a manuscript on and off for several years. Frankly, more off than on. I've written and rewritten the 85 pages or so of it more times than I care to count. Each iteration, I try new plot developments, adding and subtracting characters, revamping motivations. I make a little forward progress then realize it still doesn't work, and here's why: Everyone in the story has a character arc except my protagonist. 

The main dilemma is between two other characters, and my protagonist is actually peripheral. The outcome of their conflict has fairly high stakes for her life, yet she's more reactive than proactive.

It's the wrong person in the wrong story.

No amount of outlining can fix a foundational issue like this. Nor can "writing through the block." It's not a matter of being more disciplined, but of coming to terms with the fact that not every scenario can turn into a decent novel, especially if it hamstrings your POV character.

You can only write the right character in the right story.

That's very liberating, isn't it? I've had two other ideas percolating during these years, and kept putting them off because I "had to" be disciplined and finish a draft of my problem manuscript.

I had dinner with one of my CPs last night and talked through all these things, including idea #3, which she's seen as a flash fiction piece I wrote last year. As we discussed how to expand that story, a whole world unfurled in my head. I woke with character names on my lips.

If you've been fighting too long with a story that perpetually stalls, it's not weakness to trunk it. It's wisdom.

Do you quickly abandon manuscripts at the first sign of trouble, or do you persist longer than you should? What kinds of core problems make you trunk projects?


image credit: morguefile.com

Monday, February 6

...was not my bachelor's program in English or my master's in journalism, though they certainly helped. According to Steven Pressfield in The War of Art, my best preparation for a writing career was having a string of really crappy jobs to put myself through school. Why? It's essential to learn to do what it takes to get to a larger goal. Work ethic and professional spirit are learned in the trenches. So when I'm tempted to potter around instead of write, I have to apply the same mindset that kept me diligently on the job selling spark plugs to huge, tattooed truck drivers. Wearing an enormous Strawberry Shortcake foam-head costume around a county fair and talking in a helium voice to mobs of sticky three-year-olds. Scraping nine-month-thick layers of soap scum off of dorm tubs and disinfecting urinals. Vacuuming an acre of cafeteria carpet for two hours a day, seven days a week.

Pressfield says that accepting and even expecting misery as part of one's work experience is what separates the pro from the amateur. A pro shows up for the job day after day, even when it's boring, back-aching, humiliating and gross. She makes work a priority even though she has hayfever and needs to cram for a history exam and ought to visit her lonely grandpa. She does the difficult tasks, perhaps cranking her music, or joking and commiserating with coworkers, or dreaming of Bermuda. But the job, for all its misery, is a means to an end. She pushes through for the payoff--a paycheck.

In writing, one pushes through to a gripping story and a clean, error-free manuscript. Getting there may entail misery--insomnia and loneliness and boring Google searches and humiliating critique sessions.

Most of us start out writing for fun and as a form of play, and that's fine for one's early stages of development. But writing for publication requires taking things to the next level, Pressfield argues. Moving from amateur to pro. And the best training for that is developing a work ethic that can persevere through hardship and humiliation. For Pressfield, it was a stint in the Marines. I'd personally rather not handle firearms, thanks. But there are plenty of other unglamorous jobs that can provide the same mental and emotional training.

Have you worked crappy jobs? How have they shaped you?

*this is a repost from Sept. 2010
Monday, February 06, 2012 Laurel Garver
...was not my bachelor's program in English or my master's in journalism, though they certainly helped. According to Steven Pressfield in The War of Art, my best preparation for a writing career was having a string of really crappy jobs to put myself through school. Why? It's essential to learn to do what it takes to get to a larger goal. Work ethic and professional spirit are learned in the trenches. So when I'm tempted to potter around instead of write, I have to apply the same mindset that kept me diligently on the job selling spark plugs to huge, tattooed truck drivers. Wearing an enormous Strawberry Shortcake foam-head costume around a county fair and talking in a helium voice to mobs of sticky three-year-olds. Scraping nine-month-thick layers of soap scum off of dorm tubs and disinfecting urinals. Vacuuming an acre of cafeteria carpet for two hours a day, seven days a week.

Pressfield says that accepting and even expecting misery as part of one's work experience is what separates the pro from the amateur. A pro shows up for the job day after day, even when it's boring, back-aching, humiliating and gross. She makes work a priority even though she has hayfever and needs to cram for a history exam and ought to visit her lonely grandpa. She does the difficult tasks, perhaps cranking her music, or joking and commiserating with coworkers, or dreaming of Bermuda. But the job, for all its misery, is a means to an end. She pushes through for the payoff--a paycheck.

In writing, one pushes through to a gripping story and a clean, error-free manuscript. Getting there may entail misery--insomnia and loneliness and boring Google searches and humiliating critique sessions.

Most of us start out writing for fun and as a form of play, and that's fine for one's early stages of development. But writing for publication requires taking things to the next level, Pressfield argues. Moving from amateur to pro. And the best training for that is developing a work ethic that can persevere through hardship and humiliation. For Pressfield, it was a stint in the Marines. I'd personally rather not handle firearms, thanks. But there are plenty of other unglamorous jobs that can provide the same mental and emotional training.

Have you worked crappy jobs? How have they shaped you?

*this is a repost from Sept. 2010

Thursday, September 29

Periodically I fall into these ditches of apathy, where I have no desire to write or even blog. Every idea strikes me as stupid and I'm absolutely certain I have nothing of value to add to the already burgeoning blogosphere. I read thirty blog posts and comment on three. I feel afraid to be honest about it, because I worry it might be catching. Who wants to be the person turning others' inner worlds into one big "whatever"?

I can stupidly assume others don't get tied up in these neurotic knots. But who's to say they don't? Nothing like apathy to keep you from breaking the silence.

Instead, they (and I) can pretend. "Fake it till you make it," right? Confidence is really just a big con, after all. Pretending you have what it takes. That you're invincible. That death isn't lurking closer than anyone wants to admit.

I don't know about you, but this approach to confidence never works for me. My own soul screams at the fakery. I can remember Samuel picking a king for Israel and having God tell him, "man looks on the outward appearance, but the Lord looks at the heart."

The word "confidence" literally means "with faith," believing something is true. But believing what? There's the rub.

One can be quite confident that life is futile. Or that suffering is an illusion. Or any host of things. This kind of "negative confidence" leads, as one might expect, to negative outcomes.

Your confidence is what you believe. Not a mask you put on, but a set of truths you live into. Becoming more confident doesn't involve developing a better facade, but discarding lies and genuinely discovering and hanging onto better truths.

Here are a few I'm hanging onto today:
~No one is alone; If I'm in this world, I have a part to play.
~Evil prevails when good people do nothing.

What ideas have given you "negative confidence"? What better truths do you desire to hang onto?

Thursday, September 29, 2011 Laurel Garver
Periodically I fall into these ditches of apathy, where I have no desire to write or even blog. Every idea strikes me as stupid and I'm absolutely certain I have nothing of value to add to the already burgeoning blogosphere. I read thirty blog posts and comment on three. I feel afraid to be honest about it, because I worry it might be catching. Who wants to be the person turning others' inner worlds into one big "whatever"?

I can stupidly assume others don't get tied up in these neurotic knots. But who's to say they don't? Nothing like apathy to keep you from breaking the silence.

Instead, they (and I) can pretend. "Fake it till you make it," right? Confidence is really just a big con, after all. Pretending you have what it takes. That you're invincible. That death isn't lurking closer than anyone wants to admit.

I don't know about you, but this approach to confidence never works for me. My own soul screams at the fakery. I can remember Samuel picking a king for Israel and having God tell him, "man looks on the outward appearance, but the Lord looks at the heart."

The word "confidence" literally means "with faith," believing something is true. But believing what? There's the rub.

One can be quite confident that life is futile. Or that suffering is an illusion. Or any host of things. This kind of "negative confidence" leads, as one might expect, to negative outcomes.

Your confidence is what you believe. Not a mask you put on, but a set of truths you live into. Becoming more confident doesn't involve developing a better facade, but discarding lies and genuinely discovering and hanging onto better truths.

Here are a few I'm hanging onto today:
~No one is alone; If I'm in this world, I have a part to play.
~Evil prevails when good people do nothing.

What ideas have given you "negative confidence"? What better truths do you desire to hang onto?

Thursday, January 6

Tuesday I wrote about taking up an "unresolution"--One Word. Many of you chimed in with a desire to embrace this idea and select a word that for you encapsulates a vitrue or idea you want to grow toward and pursue.

I chose the word COURAGE because it encapsulates what I admire in the most mature people I know. I also chose it in response to an amazing conversation I recently had with my mother after reading something she'd written for her memoirs class. Hearing about some of the tough stuff of my childhood from her perspective made me realize I'm a heck of a lot more resilliant than I ever give myself credit for. Fear makes one forgetful, it seems.

Anyway, as I take steps toward a brave, new me in 2011, I thought I'd share some provocative quotes about fear and courage:

"Courage is not simply one of the virtues, but the form of every virtue at the testing point."
~C.S. Lewis

"Courage is fear that has said its prayers."
~Dorothy Bernard

"Courage is almost a contradiction in terms. It means a strong desire to live taking the form of readiness to die."
~G.K. Chesterton

"To live with fear and not be afraid is the final test of maturity."
~Edward Weeks

Which of these quotes resonates most with you? Has remembering a past moment of bravery ever given you courage in a tight spot?
Thursday, January 06, 2011 Laurel Garver
Tuesday I wrote about taking up an "unresolution"--One Word. Many of you chimed in with a desire to embrace this idea and select a word that for you encapsulates a vitrue or idea you want to grow toward and pursue.

I chose the word COURAGE because it encapsulates what I admire in the most mature people I know. I also chose it in response to an amazing conversation I recently had with my mother after reading something she'd written for her memoirs class. Hearing about some of the tough stuff of my childhood from her perspective made me realize I'm a heck of a lot more resilliant than I ever give myself credit for. Fear makes one forgetful, it seems.

Anyway, as I take steps toward a brave, new me in 2011, I thought I'd share some provocative quotes about fear and courage:

"Courage is not simply one of the virtues, but the form of every virtue at the testing point."
~C.S. Lewis

"Courage is fear that has said its prayers."
~Dorothy Bernard

"Courage is almost a contradiction in terms. It means a strong desire to live taking the form of readiness to die."
~G.K. Chesterton

"To live with fear and not be afraid is the final test of maturity."
~Edward Weeks

Which of these quotes resonates most with you? Has remembering a past moment of bravery ever given you courage in a tight spot?

Monday, August 23

...was not my bachelor's program in English or my master's in journalism, though they certainly helped. According to Steven Pressfield in The War of Art, my best preparation for a writing career was having a string of really crappy jobs to put myself through school. Why? It's essential to learn to do what it takes to get to a larger goal. Work ethic and professional spirit are learned in the trenches. So when I'm tempted to potter around instead of write, I have to apply the same mindset that kept me diligently on the job selling spark plugs to huge, tattooed truck drivers. Wearing an enormous Strawberry Shortcake foam-head costume around a county fair and talking in a helium voice to mobs of sticky three-year-olds. Scraping nine-month-thick layers of soap scum off of dorm tubs and disinfecting urinals. Vacuuming an acre of cafeteria carpet for two hours a day, seven days a week.

Pressfield says that accepting and even expecting misery as part of one's work experience is what separates the pro from the amateur. A pro shows up for the job day after day, even when it's boring, back-aching, humiliating and gross. She makes work a priority even though she has hayfever and needs to cram for a history exam and ought to visit her lonely grandpa. She does the difficult tasks, perhaps cranking her music, or joking and commiserating with coworkers, or dreaming of Bermuda. But the job, for all its misery, is a means to an end. She pushes through for the payoff--a paycheck.

In writing, one pushes through to a gripping story and a clean, error-free manuscript. Getting there may entail misery--insomnia and loneliness and boring Google searches and humiliating critique sessions.

Most of us start out writing for fun and as a form of play, and that's fine for one's early stages of development. But writing for publication requires taking things to the next level, Pressfield argues. Moving from amateur to pro. And the best training for that is developing a work ethic that can persevere through hardship and humiliation. For Pressfield, it was a stint in the Marines. I'd personally rather not handle firearms, thanks. But there are plenty of other unglamorous jobs that can provide the same mental and emotional training.

Have you worked crappy jobs? How have they shaped you?
Monday, August 23, 2010 Laurel Garver
...was not my bachelor's program in English or my master's in journalism, though they certainly helped. According to Steven Pressfield in The War of Art, my best preparation for a writing career was having a string of really crappy jobs to put myself through school. Why? It's essential to learn to do what it takes to get to a larger goal. Work ethic and professional spirit are learned in the trenches. So when I'm tempted to potter around instead of write, I have to apply the same mindset that kept me diligently on the job selling spark plugs to huge, tattooed truck drivers. Wearing an enormous Strawberry Shortcake foam-head costume around a county fair and talking in a helium voice to mobs of sticky three-year-olds. Scraping nine-month-thick layers of soap scum off of dorm tubs and disinfecting urinals. Vacuuming an acre of cafeteria carpet for two hours a day, seven days a week.

Pressfield says that accepting and even expecting misery as part of one's work experience is what separates the pro from the amateur. A pro shows up for the job day after day, even when it's boring, back-aching, humiliating and gross. She makes work a priority even though she has hayfever and needs to cram for a history exam and ought to visit her lonely grandpa. She does the difficult tasks, perhaps cranking her music, or joking and commiserating with coworkers, or dreaming of Bermuda. But the job, for all its misery, is a means to an end. She pushes through for the payoff--a paycheck.

In writing, one pushes through to a gripping story and a clean, error-free manuscript. Getting there may entail misery--insomnia and loneliness and boring Google searches and humiliating critique sessions.

Most of us start out writing for fun and as a form of play, and that's fine for one's early stages of development. But writing for publication requires taking things to the next level, Pressfield argues. Moving from amateur to pro. And the best training for that is developing a work ethic that can persevere through hardship and humiliation. For Pressfield, it was a stint in the Marines. I'd personally rather not handle firearms, thanks. But there are plenty of other unglamorous jobs that can provide the same mental and emotional training.

Have you worked crappy jobs? How have they shaped you?