Writing a tenacious faith: Interview with author Aleigha C. Israel

1. Tell us a little about how this story first came to be. Did it start with an image, a voice, a concept, a dilemma or something else?

“A Marvelous Redeemer” is the last book in “A Light for Christ” trilogy. It just seemed fitting that it should be Amira’s book. Amira was first introduced in the first book, “A Higher Ransom,” as Caleb’s little friend. He was often seen sharing his faith with her and trying to turn her away from her Muslim beliefs. “A Marvelous Redeemer” follows the life of Caleb and Amira as they both journey through their own unique struggles. But the outcome is the same for both of them. They discover that through everything, they still serve a Marvelous Redeemer.

2. Who are your main characters? Tell as a little about what makes them tick.
Amira is a feisty young lady, with a heart for the Lord. She loves Him so much, that she gives up everything she knows. Most of her journey throughout the story is spent trying her best to trust Him, even if that means living in a cave and eating watered down soup.

Caleb is a slight mystery. He has a heart for others and a strong desire to be the hero. He feels as if no one understands him and that no one cares. It ultimately leaves him making a decision that he soon regrets. Caleb’s journey is one of redemption. He comes to understand that no matter what, we still serve a Marvelous Redeemer. A Redeemer that always takes us back, no matter how many times we stray.

3. What special knowledge or research was required to write this book?
Well, this story was enhanced by a certain special character named Hemlock. Hemlock is a dear fellow who never stops talking about sea creatures. Because of this, I had to do a bunch of research on sea creatures. The results were absolutely amazing! The amazingness of God’s creation just goes to show you that we serve a Marvelous Redeemer!

5. What research methods have been most fruitful for you?
I use so many methods! Books, the internet, Wikipedia, the Bible. Google is my best friend though. 😉

6. What's the strangest thing you had to do to create this story?
Hmmm, what a great question! Probably the day I spent the night in a cave. All alone, in the middle of the woods. The coyotes howled all night. I wanted to know exactly how my main character would feel…

Okay, I actually didn’t do that. I probably would have died. At the very least I wouldn’t have slept at all.

The “strangest thing” was probably pulling several days on four to five hours of sleep, trying to work through the formatting process. But, that’s not exactly “strange.” Sleeping in a cave sounds so much better than that, haha!

7. What do you hope readers will take away from this story?
That no matter what, no matter how many times you stumble, no matter how many people try to tell you that God will never forgive you, always remember this; we serve a Marvelous Redeemer. A Redeemer that gave His very LIFE so that you could be saved! He loves you, He cares for you, you are His. So, remember that and don’t ever let it go.

8. How does your faith or ethical outlook inform your writing?
My goal with all of my books is to share the light of Christ. If I ever stray away from penetrating my books with the Gospel, then I hope someone out there will lock me in a dungeon and throw away the key. Because, without Christ, we are nothing. And my books, without Christ in them, would be just useless words on a page that might be entertaining to a soul, but not enriching, encouraging, or giving them a glimpse of light in this dark world.

9. What aspects of your creative process do you enjoy most? Which are most challenging?
All of it! I couldn’t choose a favorite! By the time I finish writing my story, I’m ready to move on to something else. That “something else” usually includes the editing process. And by the time that I’m finished with the editing process, I’m ready to not look at words for just a few days. Which then is always a good time to do some formatting. And, by the time by book is hot off the press, I’m ready to write again. It’s a great revolving door of creativity! Each part has its own challenges, but I’ve always been one to enjoy a challenge!

About the author

ALEIGHA C. ISRAEL writer of inspirational fiction and poetry, is an author of multiple books and enjoys sharing God's love through the powerful art of storytelling.

Her trilogy "A Light for Christ" is distributed by Grace and Truth Books and has been enjoyed by ages nine to ninety-three!

Aleigha is a Student Mentor over at the Young Writers Workshop and she'll be quick to tell you how amazing that community is.

She resides in Georgia with the world’s best parents, and five of the greatest siblings. When she’s not writing (or reading!) she can usually be seen working around the house, playing games with her siblings, or traveling with her family’s band, “Fret Not.”

She doesn’t have to search very hard for inspiration. Living in the Israel household, it’s guaranteed there’s an adventure waiting around every corner!

About the book

She knew the decision would change her life. But she didn't know she'd have to fight to survive.

When Amira put her faith in Christ, she knew life wouldn't be easy. But hiding her conversion from her Muslim family soon becomes the least of her worries.

Forced to leave the only home she's ever known, she travels to the island of Gabeburough, trying her best to make a fresh start.

Two escaped convicts and a treasure map. A leafy paradise that becomes her home. Amira begins to wonder, where is her Redeemer when she needs Him the most?

Caleb Haddington is prince of Carpathia. Life should be perfect, but he can't get a certain dark-haired girl out of his mind. Amira was his best friend when he lived in France, but her letters to him have suddenly stopped. Her last letter is filled with terror that her faith will soon be discovered.

Only a single hope keeps him alive; when the time is right, he's going after her. He'll bring her back and prove to the kingdom that he's a man.

But the journey proves to be more perilous than he'd ever imagined.

Ridicule, comfortless days, and the threat of a hurricane are just the start of his problems.
Lying becomes easy for Caleb until his own life crumbles before him. Brought to his knees under the pressure of his actions, he comes to realize the sweetness of his Savior.

Forgiveness, grace, and mercy are granted fully to those who ask.

Caleb and Amira soon discover that they don't just serve a gracious Savior, but a wonderful, magnificent, Marvelous Redeemer.

Giveaway

Aleigha is generously offering a basket of gifts including old-fashioned candies, 4 bookmarks, a pen, a paperback copy of the book, and a little bottle on a key chain. You can enter at this link: https://kingsumo.com/g/ko9bwa/a-marvelous-redeemer-giveaway.

Blog tour schedule

May 21

Bookish Orchestrations – Intro post

Spoonful of Surprises – Book Review

May 22

Letters from Annie Douglass Lima – Book Spotlight

Jannette Fuller – Book Spotlight

May 23

Rebekah Lyn Books – Book Spotlight

Frances Hoelsema – Book Spotlight

Writings From A God Girl – Author Interview

May 24

Laurel's Leaves – Author Interview

May 25

Rachel Rossano's Words – Book Spotlight

May 26

Bookish Orchestrations – Giveaway winner

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Misplaced modifiers: what are they and how do you fix them?

Dear Editor-on-call,

I got this comment in a critique of mine and I have NO idea what it means. Could you shed some light? I feel so stupid, but I just don't get the terminology: "Misplaced modifiers. I’m seeing this phenomenon all the time with my clients! You do this just a little, but watch your antecedents."

Sincerely,
Mystified about Modifiers

~ ~ ~ ~ ~

Dear Mystified,

Your knuckle-rapping English teachers were trying to break you of this problem when they made you diagram sentences. You might have vague memories of identifying sentence parts as subject, verb, object. Each of these sentence parts can have modifiers--words or phrases that tell details about them.

Problems arise when those details are not close enough to the word they describe. The resulting sentences can be confusing at best, and inadvertently hilarious at worst.

Let's look at some examples.

Subject modifier misplaced

Example: The boy chased the cat who had asthma.

Whoops--Asthmatic kitties are not too common (though friends of mine work for a recording label by that name). The modifier needs to move closer to the subject, "the boy."

Revised: The boy who had asthma chased the cat.
Alternate: The asthmatic boy chased the cat.

Example: Growling and snapping, Melody was stalked by the werewolf.

Whoops--Is Mel trying to confuse the predator? More likely the writer doesn't realize the subject and object are in the wrong order.

Revised: Growling and snapping, the werewolf stalked Melody.


Example: Walking along the bridge, a ship suddenly appeared.Whoops--Is The Ship Who Walked related to Anne McCaffrey's The Ship Who Sang? You've got either some really wacky personification or a sentence with an unclear subject. I chose the latter.

This example is what's usually called a "dangling modifier"--the part of speech being described is actually missing. This sentence needs an actor walking and seeing that ship appear. Here are three ways to resolve the issue:

Revised: Walking along the bridge, the captain saw a ship suddenly appear.
Alternate: A ship suddenly appeared while the captain was walking along the bridge.
Alternate 2: As the captain walked along the bridge, a ship suddenly appeared.

Verb modifier misplaced

Example: He kept a black book of all the girls he had dated in his desk.Whoops--It might get a mite crowded in there among the paperclips! That directional "in his desk" needs to be closer to the verb "kept."

Revised: He kept in his desk a black book of all the girls he'd dated.
Alternate: In his desk, he kept a black book of all the girls he had dated.
Alternate 2 (with a shifting emphasis): There in Jason's desk drawer was his black book--a list of all the girls he'd dated.

Example: Larry told me he was getting married that afternoon at night.Whoops--When the heck is the wedding?? Oy vey. Please separate the time of the telling from the information told. "That afternoon" modifies "told," describing when Larry gave information.

Revised: That afternoon, Larry told me he was getting married at night.
Alternate: That afternoon, Larry told me about his plans for a nighttime wedding.

Object modifier misplaced

Example: You need someone to carry that load with a strong back.
Whoops--It the load is so strong, why can't it carry itself? The modifier "with a strong back" needs to move closer to the object of the sentence, "someone."

Revised: You need someone with a strong back to carry that load.


Example: I showed my dog to the veterinarian with the fleas.
Whoops--That poor, itchy vet! Sounds like he's been infested. In this case, it's the object "my dog" that needs to be closer to its modifier "with the fleas."

Revised: I showed the veterinarian my dog with the fleas.

Word order problems

Limiting modifiers can change the meaning of a sentence depending on where they are placed. Some words to beware of: only, not only, just, not just, almost, hardly, nearly, even, exactly, merely, scarcely, and simply.

Below are examples of how a sentence's meaning can change when one moves around a limiting modifier.

Subject modified:
Just Evan drank a Coke.
(No others drank Coke, only Evan did.)

Verb modified:
Evan just drank a Coke.
(Others had a big bar brawl while Evan sat there sipping his cola.)

Object modified:
Evan drank just a Coke.
(Others had vodka tonics, but Evan? Just Coke.)

Squinting modifiers are modifying phrases that could modify more than one part of a sentence. Clarity problems arise when you place them near to both possible choices.

Example: She said on Sunday she would call.

Whoops--Did she say it on Sunday? Or is she going to call on Sunday? We don’t know. The phrase “on Sunday” could modify “said” or it could modify “would call.” Revising sentences like this usually requires adding words to make clear who's doing what and when.

Revised: On Sunday, she said she would call me soon.
Alternate: On Sunday, she said, "I'll call you."

To capture the other possible meaning, try these revisions:
Revised: She just said she would call me Sunday night.
Alternate: She said, "I'll call you on Sunday."


Side note: the editor mentioned in this letter was misusing the grammar term "antecedent" to mean "a thing referred to," which should only be used when discussing pronouns. The correct grammatical term for something being modified is "headword."


Which of these areas trip you up? Any other helpful pointers for correctly placing modifiers with their headwords?

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