Tuesday, April 30



April is drawing to a close, and as I look back on the month, I'm thankful for so many things.

~My wonderful hosts for my mini-tour of Muddy-Fingered Midnights.

~National Poetry Month, making it cool to love and write poetry. 

~My critique group, who helped me get unstuck with the WIP.

~My friends who let me badger them with medical questions. (Why in-person research rocks).

~The Irish dance hard shoes given to my daughter for free. Riverdance, here we come!

~My new editing client. Excited to edit poetry! Woot!

~The cool series idea Stina gave me: "Stolen from Poets," in which I explain how to use poetic techniques in fiction. Stay tuned for more!

~The A-Z challenge making my blog slacking acceptable. Congrats to those who persevered with it!

What are you thankful for today?
Tuesday, April 30, 2013 Laurel Garver


April is drawing to a close, and as I look back on the month, I'm thankful for so many things.

~My wonderful hosts for my mini-tour of Muddy-Fingered Midnights.

~National Poetry Month, making it cool to love and write poetry. 

~My critique group, who helped me get unstuck with the WIP.

~My friends who let me badger them with medical questions. (Why in-person research rocks).

~The Irish dance hard shoes given to my daughter for free. Riverdance, here we come!

~My new editing client. Excited to edit poetry! Woot!

~The cool series idea Stina gave me: "Stolen from Poets," in which I explain how to use poetic techniques in fiction. Stay tuned for more!

~The A-Z challenge making my blog slacking acceptable. Congrats to those who persevered with it!

What are you thankful for today?

Wednesday, April 24

I'm the featured guest today on "Artist Unleashed" series over at Jessica Bell's blog The Alliterative Allomorph, talking about how to preserve your life experiences patchwork-style. You might be too young to write a memoir, but your life experiences are worth capturing now, before they lose their keen freshness. I suggest why and how in my post "Save Your Life: a Patchwork Approach."

If you ever get writer's block, this post is for you. If you think poetry is impossible to write, this post is for you, too.
Wednesday, April 24, 2013 Laurel Garver
I'm the featured guest today on "Artist Unleashed" series over at Jessica Bell's blog The Alliterative Allomorph, talking about how to preserve your life experiences patchwork-style. You might be too young to write a memoir, but your life experiences are worth capturing now, before they lose their keen freshness. I suggest why and how in my post "Save Your Life: a Patchwork Approach."

If you ever get writer's block, this post is for you. If you think poetry is impossible to write, this post is for you, too.

Monday, April 22

I've asserted in previous posts that studying poetry will make you a better writer, no matter what genre you aspire to master. Poetry uses a number of techniques that I believe are quite transferable to other kinds of writing.

Today, I'll begin a short series called "Stolen from poets" that explores some of those techniques and how to use them in your own writing. I'll try to keep these brief and focused, tackling one technique at a time.

Sound devices, part 1: Assonance


The thinking behind sound devices is often onomatopoetic; the sound and meaning are linked.Today I'd like to focus specifically on assonance--repeated vowel sounds--and how they can carry emotions.

morguefile.com

Consider these examples. Say them aloud. How do they make you feel?

1. John groped for his coat in hopes the Tylenol bottle hadn’t dropped through the hole in his pocket.

2. Lisa worried they'd think her rude if she cooed at their cute baby, so she chewed her lip while brooding on his tiny blue shoes.

3. Wading deeper into the creek, Ross felt the coldness seep through his sneakers. Shining eyes seemed to peek through the reeds. A cheeping frog sent a shriek of fear streaking up his spine, but he ground his teeth. Must stay silent. Must not be weak.


In my first example, Can you feel John's inner ache? The repeated oh, oh, aah, ahh,make the passage seem to moan and groan on the page. The repeated O sounds (both short and long) make you verbalize John's pain response.

In my second example, Lisa's entire inner monologue does coo at the cute baby, even if she refuses to do it aloud. The repeated long U sound carries it. This is an excellent, subtle way to add layers of meaning to your character's thoughts. Characters might consciously deny something while the sounds in their words convey a deeper, hidden, unconscious desire for the denied thing.

In my third example, the creepy feeling is reinforced by a series of little shrieks, like one might hear upon having a bug scurry over bare skin: Eeek! Ross is screaming inside, even if he's being tough and silent on the outside.

Your turn:
Chose an emotion you want to convey and think of the most primal sound you associate with it, such as Os for groaning with pain, Es for screaming with fright. Write a sentence, paragraph or scene in which you repeat the sounds.

Hint: a rhyming dictionary will help you identify words with the vowel sounds you need.

How might you use this technique today to improve your writing?
Monday, April 22, 2013 Laurel Garver
I've asserted in previous posts that studying poetry will make you a better writer, no matter what genre you aspire to master. Poetry uses a number of techniques that I believe are quite transferable to other kinds of writing.

Today, I'll begin a short series called "Stolen from poets" that explores some of those techniques and how to use them in your own writing. I'll try to keep these brief and focused, tackling one technique at a time.

Sound devices, part 1: Assonance


The thinking behind sound devices is often onomatopoetic; the sound and meaning are linked.Today I'd like to focus specifically on assonance--repeated vowel sounds--and how they can carry emotions.

morguefile.com

Consider these examples. Say them aloud. How do they make you feel?

1. John groped for his coat in hopes the Tylenol bottle hadn’t dropped through the hole in his pocket.

2. Lisa worried they'd think her rude if she cooed at their cute baby, so she chewed her lip while brooding on his tiny blue shoes.

3. Wading deeper into the creek, Ross felt the coldness seep through his sneakers. Shining eyes seemed to peek through the reeds. A cheeping frog sent a shriek of fear streaking up his spine, but he ground his teeth. Must stay silent. Must not be weak.


In my first example, Can you feel John's inner ache? The repeated oh, oh, aah, ahh,make the passage seem to moan and groan on the page. The repeated O sounds (both short and long) make you verbalize John's pain response.

In my second example, Lisa's entire inner monologue does coo at the cute baby, even if she refuses to do it aloud. The repeated long U sound carries it. This is an excellent, subtle way to add layers of meaning to your character's thoughts. Characters might consciously deny something while the sounds in their words convey a deeper, hidden, unconscious desire for the denied thing.

In my third example, the creepy feeling is reinforced by a series of little shrieks, like one might hear upon having a bug scurry over bare skin: Eeek! Ross is screaming inside, even if he's being tough and silent on the outside.

Your turn:
Chose an emotion you want to convey and think of the most primal sound you associate with it, such as Os for groaning with pain, Es for screaming with fright. Write a sentence, paragraph or scene in which you repeat the sounds.

Hint: a rhyming dictionary will help you identify words with the vowel sounds you need.

How might you use this technique today to improve your writing?

Thursday, April 18

If you write fiction and have ever been tempted to try your hand at poetry, or you're simply curious about the diverse kinds of poetry out there, check out my guest post for fiction-in-verse author Caroline Starr Rose, "Stories that Sing: Poems with a Plot." It's part of Caroline's excellent National Poetry Month series serving up a daily dose of poetic treats.

In the post, I share a bit about the history of narrative poetry, explain how I crafted some of my own poems, and offer advice on giving this genre a go yourself.

Tales of heroes and epic love find a voice by the fire. (morguefile.com) 

If you've done any writing at all, you have raw material for poems. Fiction drafts, journal entries, childhood stories you've jotted down, the spooky tales your uncle told around the campfire--all are excellent sources for narrative poems.

What's holding you back? How might the image of campfire stories help you take the plunge?
Thursday, April 18, 2013 Laurel Garver
If you write fiction and have ever been tempted to try your hand at poetry, or you're simply curious about the diverse kinds of poetry out there, check out my guest post for fiction-in-verse author Caroline Starr Rose, "Stories that Sing: Poems with a Plot." It's part of Caroline's excellent National Poetry Month series serving up a daily dose of poetic treats.

In the post, I share a bit about the history of narrative poetry, explain how I crafted some of my own poems, and offer advice on giving this genre a go yourself.

Tales of heroes and epic love find a voice by the fire. (morguefile.com) 

If you've done any writing at all, you have raw material for poems. Fiction drafts, journal entries, childhood stories you've jotted down, the spooky tales your uncle told around the campfire--all are excellent sources for narrative poems.

What's holding you back? How might the image of campfire stories help you take the plunge?

Wednesday, April 17

What? you might think. How could fear be a friend?

As part of Jennifer R. Hubbard's guest series on facing fear, I suggest a whole new paradigm for how writers might approach and think about fear. Stop on by to learn more at my guest post "Writing through Fear."

You might be surprised to learn that it's through writing poetry that I learned this lesson. Poetry often has the reputation of being trite, dainty contemplations of flower petals and sunsets; the best poems are so much more.

How has writing shifted your perspectives?


Wednesday, April 17, 2013 Laurel Garver
What? you might think. How could fear be a friend?

As part of Jennifer R. Hubbard's guest series on facing fear, I suggest a whole new paradigm for how writers might approach and think about fear. Stop on by to learn more at my guest post "Writing through Fear."

You might be surprised to learn that it's through writing poetry that I learned this lesson. Poetry often has the reputation of being trite, dainty contemplations of flower petals and sunsets; the best poems are so much more.

How has writing shifted your perspectives?


Monday, April 15

Sometimes a project starts to gel after many months of two steps forward, five steps back. When this happens, the best thing is to head into "the writer's cave."

How did we arrive at "cave" as the best metaphor for focused work?

I guess caves work as a cozy shelter from the storm for hermit-types. But I see a place like this and expect the resurrected Jesus to tap on my shoulder.

He is not here...he is risen. (morgefile.com)

Alternately, I imagine something equally tomb-ish. Whatever you do, don't blink.

EEK. A likely inspiration for Dr. Who's "In the Time of Angels" (morguefile.com)
I'd prefer my cave to be someplace leading into the heart of adventure and strange beauty.

Paths, handrails and mood lighting. Now we're talking. (morguefile.com)
I'd rather not think about squerching through bat guano or braining myself on stalactites while trying to evade a bear or puma whose home I just invaded.

Anyhow, I may be a bit less active on social media for a while, aside from some guest appearances planned well in advance. I'll be, you know, in the strange place we call "the cave."

How do you think of your productive zone? How do you picture your "writing cave"?
Monday, April 15, 2013 Laurel Garver
Sometimes a project starts to gel after many months of two steps forward, five steps back. When this happens, the best thing is to head into "the writer's cave."

How did we arrive at "cave" as the best metaphor for focused work?

I guess caves work as a cozy shelter from the storm for hermit-types. But I see a place like this and expect the resurrected Jesus to tap on my shoulder.

He is not here...he is risen. (morgefile.com)

Alternately, I imagine something equally tomb-ish. Whatever you do, don't blink.

EEK. A likely inspiration for Dr. Who's "In the Time of Angels" (morguefile.com)
I'd prefer my cave to be someplace leading into the heart of adventure and strange beauty.

Paths, handrails and mood lighting. Now we're talking. (morguefile.com)
I'd rather not think about squerching through bat guano or braining myself on stalactites while trying to evade a bear or puma whose home I just invaded.

Anyhow, I may be a bit less active on social media for a while, aside from some guest appearances planned well in advance. I'll be, you know, in the strange place we call "the cave."

How do you think of your productive zone? How do you picture your "writing cave"?

Friday, April 12

Eminem owes a literary debt to this guy?
I'm the featured guest today over at Anne Gallagher's blog, where she interviews me about all things poetry. Stop on by HERE to discover who my favorite poets are, what it means to "think like a poet," how writing can be like having a sprained ankle, and how Eminem fits into the history of poetic expression (I guarantee you'll be surprised). I also suggest how we might make poetry as trendy as knitting and vegan diets.

Can you name the guy in this photo? He's best known for the poem "Howl," which begins with the line "I saw the best minds of my generation destroyed by madness...".

Do you have any unusual or surprising literary influences?

Friday, April 12, 2013 Laurel Garver
Eminem owes a literary debt to this guy?
I'm the featured guest today over at Anne Gallagher's blog, where she interviews me about all things poetry. Stop on by HERE to discover who my favorite poets are, what it means to "think like a poet," how writing can be like having a sprained ankle, and how Eminem fits into the history of poetic expression (I guarantee you'll be surprised). I also suggest how we might make poetry as trendy as knitting and vegan diets.

Can you name the guy in this photo? He's best known for the poem "Howl," which begins with the line "I saw the best minds of my generation destroyed by madness...".

Do you have any unusual or surprising literary influences?